Tagged with youtube

“Insults to Islam ignite violence in Pakistan, six killed”

Taken from: http://news.yahoo.com/egypts-mufti-urges-muslims-endure-insults-peacefully-054427311.html

September 21, 2012

Muslim protests against insults to the Prophet Mohammad turned violent in Pakistan, where six people were killed on Friday, the Muslim day of prayer, but remained mostly peaceful in Islamic countries elsewhere.

In France, where the publication of cartoons denigrating the Prophet stoked anger over an anti-Islam video made in California, the authorities banned all protests over the issue.

“There will be strictly no exceptions. Demonstrations will be banned and broken up,” said Interior Minister Manuel Valls.

Tunisia’s Islamist-led government also banned protests against the images published by French satirical weekly Charlie Hebdo. Four people were killed and almost 30 wounded last week when the U.S.embassy was stormed in a protest over the film.

Many Western and Muslim politicians and clerics have appealed for calm, denouncing those behind the mockery of the Prophet, but also condemning violent reactions to it.

At street level, Muslims enraged by attacks on their faith spoke of a culture war with those in the West who put rights to freedom of expression above any religious offence caused. ”They hate him (the Prophet Mohammad) and show this through their continued works in the West, through their writings, cartoons, films and the way they launch war against him in schools,” said Abdessalam Abdullah, a preacher at a mosque in Beirut’s Palestinian refugee camp of Bourj al-Barajneh. Muslims generally consider any depiction of the Prophet blasphemous.

Western diplomatic missions in Muslim nations tightened security ahead of Friday prayers. France ordered its embassies, schools and cultural centers to shut in a score of countries.

In Pakistan, tens of thousands of people joined protests encouraged by the government in several cities including Islamabad, Karachi, Peshawar, Lahore, Multan and Muzaffarabad.

The bloodiest unrest erupted in the southern city of Karachi, where three policemen and twoprotesters were killed and 112 people wounded, according to Allah Bachayo Memon, spokesman of the chief minister of Sindh province. He said about 20 vehicles, three banks and five cinemas were set on fire.

Crowds set two cinemas ablaze and ransacked shops in the northwestern city of Peshawar, clashing with riot police who fired tear gas. At least five protesters were hurt and the ARY television station said an employee had been killed.

Mohammed Tariq Khan, a protester in Islamabad, said: “Our demand is that whoever has blasphemed against our holy Prophet should be handed over to us so we can cut him up into tiny pieces in front of the entire nation.”

Security forces fired in the air in Peshawar and the eastern city of Lahore to keep protesters away from U.S. consulates. Police fired tear gas at about 1,000 protesters in Islamabad.

The U.S. embassy in Pakistan has run television spots, one featuring Secretary of State Hillary Clinton, saying the government had nothing to do with the film about Mohammad.

Pakistan declared Friday a “Day of Love” for the Prophet and Prime Minister Raja Pervez Ashraf said an attack on Islam’s founder was “an attack on the whole 1.5 billion Muslims”.

The foreign ministry summoned the U.S. chargé d’affaires to lodge a protest over the video posted on YouTube, the latest in an array of irritants poisoning U.S.-Pakistani relations.

In neighboring Afghanistan, police contacted religious and community leaders to try to prevent bloodshed. Protests in Kabul and the northern city of Mazar-e-Sharif only attracted a few hundred people and no violence was reported, but a cleric told one crowd: “If you kill Americans, it’s legal and allowable.”

About 10,000 Islamists gathered in the Bangladeshi capital, Dhaka, after Friday prayers, chanting slogans and burning U.S. and French flags and an effigy of U.S. President Barack Obama.

Protests went off peacefully in the Arab world, where last week several embassies were attacked and the U.S. envoy to Libya was killed in an initial burst of unrest over the film.

In Yemen, where the U.S. embassy was stormed last week, several hundred Shi’ite protesters chanted anti-American slogans, but riot police blocked the route to the embassy.

Anger over the film brought several thousand Shi’ites and Sunnis together in a rare show of sectarian unity in Iraq’s southern city of Basra, where they burnt U.S. and Israeli flags.

Lebanon’s Hezbollah-run al-Manar television showed thousands of people waving Lebanese and yellow Hezbollah flags as they marched past the Roman ruins of Baalbek and shouted slogans such as “Death to America, death to those who insult the Prophet”.

A Beirut protester, who gave his name as Ahmed, called for a boycott of Western products. “They hate us and want to get rid of our culture and we will resist. We should reject all aspects of their culture too,” the 23-year-old student said, wearing jeans and an orange t-shirt with English writing on it.

The violence provoked by the film has led to a total of about 30 deaths so far, a United Nations official said. ”Both the film and the cartoons are malicious and deliberately provocative. The film particularly portrays a disgracefully distorted image of Muslims,” Rupert Colville, spokesman for U.N. High Commissioner for Human Rights Navi Pillay, told a news briefing in Geneva. He said Pillay upheld people’s right to protest peacefully, but saw no justification for violent and destructive reactions. ”In the case of Charlie Hebdo, given that they knew perfectly what happened in response to the film last week, it seems doubly irresponsible on their part to have published these cartoons,” Colville said of the French magazine.

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“Once Blocked, Boy’s Appeal for Gays to Wed Gets Council Audience”

July 26, 2012
Wearing a pressed gray suit, black shoes and a purple shirt and tie, Kameron Slade, 10, fidgeted slightly before his name was called in the City Council chambers on Wednesday. He approached the microphone set before the room full of politicians, lowered his head to the papers he clutched in his hands and began to speak.

“President Barack Obama recently talked about same-sex marriage with his wife and two daughters. Some people are for same-gender marriage, while others are against it,” Kameron said. “Like President Obama, I believe that all people should have the right to marry whoever they want. Marriage is about love, support and commitment. So who are we to judge?”

Kameron was invited by the Council speaker, Christine C. Quinn, to deliver his speech, which he wrote two months ago for a student competition at Public School 195 in Rosedale, Queens. The principal, Beryl Bailey, deemed it inappropriate for the school, so Kameron was at first not allowed to deliver his speech on the topic.

After NY1 and other local news media brought attention to Kameron’s story, he became an Internet sensation and something of a symbol for social acceptance and free speech. A video of Kameron delivering his speech has been watched more than 600,000 times on YouTube. He was eventually allowed to deliver the speech at a separate assembly at his school, after the Education Department stepped in.

Kameron’s mother, April Grantham-Slade, said she sat down with him in May, when he first came home with his assignment from class. Ms. Grantham-Slade said Kameron told her he wanted to speak on a topic his fellow classmates had not discussed much. So they began to brainstorm. Earlier that month, Mr. Obama announced he was supporting same-sex marriage, a move seen by some as purely political but by others as an act of bravery. For Kameron, it was a prime chance to bring that national discussion to his peers.

“Sometimes we’ll be walking down the street and we’ll see two men or two women holding hands; and he gets that,” Ms. Grantham-Slade said. “I want my children to be accepting.”

Kameron recalled the time he and his mother went on a farm trip with two of his mother’s friends, who are lesbians, to the full Council chamber. “They seemed like any other family,” he said. “The only difference was that they were two moms instead of a mother and father.”

After speaking before the Council, Kameron said he had been disappointed when he was forbidden from delivering the speech at school, but gratified with the attention his message has received since then, and that New York City’s leaders got to hear it. “I felt very confident when I was doing it,” he said. “I feel honored because not many people get to do this.”

Council members thanked Kameron, who was joined in the chamber by his mother, father and grandfather, and encouraged him to continue expressing his opinions on issues. Ms. Quinn, a Democrat, who married her longtime partner, Kim M. Catullo, in May, noted that the meeting came one day after the anniversary of same-sex marriage legalization in New York State.

More than 10,000 same-sex couples have been issued marriage licenses in the state since then.

“I’m getting married on Saturday, in three days, to my partner of 13 and a half years,” said Councilman Jimmy Van Bramer, a Democrat. “When I saw you on TV, I thought you were the most courageous and wonderful young man I’ve ever seen.”

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“Mother’s Inspiring Video About Blind Baby Son”

Taken from: http://news.yahoo.com/mothers-inspiring-video-blind-baby-son-173140041–abc-news-parenting.html

May 12, 2012

Lacey Buchanan never dreamed that a Youtube video she created about her blind baby boy and his rare cleft palate condition would spread virally, racking up some 7 million views and delivering hundreds of personal messages of support to her Facebook and email inboxes.

In the seven-minute video, which she made using her iPhone, the 25-year-old mother from Woodbury, Tenn., describes the triumph of witnessing 14-month-old Christian’s giggles in the face of the constant stares and whispers they encounter in public when strangers see her baby.

He was born with an an extremely rare condition called Tessier cleft, which means that he was unable to fully close his mouth, and that his eyes are also clefted such that they never even formed.

Buchanan, who works at a day care center and also attends the Nashville School of Law, said she made the video about their struggle because she wanted her son “to grow up knowing he’s important, knowing he has value, despite the way that he looks,” Buchanan said. ”I never thought it would be as big as it has gotten, but I’m thrilled that Christian is becoming a face and a voice for this, that beauty is so much deeper than what you look like,” she said.

Her own video was inspiredby a film made by a woman named Lizzie, who tells the story of how her disfigured face, caused by a rare, unnamed medical condition, led classmates to call her “the world’s ugliest woman.”

In the video, Buchanan faces the camera while holding Christian to her chest without revealing his face, the boy’s tousled blond hair the same shade as hers. Her expressive face turns from beaming to tearful as she wordlessly holds up signs and photos to the camera, describing how thrilled she and her husband were to learn of her pregnancy, the difficult news that their unborn son would have a cleft palate, and their joy that he was born alive, since doctors worried that his internal organs wouldn’t be fully formed and that he wouldn’t be able to breathe properly on his own.

But the road ahead was hard. While Christian’s internal organs were completely normal, he was born without eyes, and underwent surgery on his cleft palate when he was just four days old, spending four weeks recovering in the neonatal intensive care unit at Vanderbilt University Medical Center. It took the hospital two months just to give his rare condition a name, Buchanan said, and the couple discovered that only about 50 other people in the world had the same diagnosis of Tessier cleft.

Buchanan and her husband had no idea how to care for a blind baby — and in particular, they weren’t prepared for how people would stare at him. ”The first time I went to the grocery store, I didn’t expect to leave crying because people were whispering behind my back,” she said. “It was something I had to try to get used to.” Children would ask their mothers “what was wrong with ‘that baby,’” and one acquaintance even cruelly messaged Buchanan on Facebook to tell her she was a “horrible person” for not aborting Christian.

Despite the negative attention, the Buchanans received ample support from friends and family, and from their local Baptist church, which has held multiple fundraisers for Christian’s medical care and constantly checks in with the couple to inquire how their son is doing.

And, as Buchanan describes in her video, Christian grew into a happy baby who, in the face of strangers’ comments, “would start giggling … and they would giggle, too,” which eventually spurred an outpouring of messages to her family on Facebook, and well-wishes in public from people who recognized them after hearing about their story.

Only at the end of the video does she turn Christian around to reveal his face to the camera, and she lovingly kisses his cheek while he sucks on a pacifier (which he is now able to do because of surgeries on his cleft palate).

She posted the video two months ago, and it has since generated nearly 7 million views and 1.8 million Facebook “likes” after an inspired fan reposted it on the Christian video site GodVine.

Because of the attention, Buchanan has connected with three other people who have Tessier cleft — two adults and the parent of another — and she said the support has been life changing. ”I try to make the best decisions I can for Christian, especially medically, and sometimes I’m put into corners, where whichever decision I make is going to impact Christian’s life,” she said. “Being able to reach out to someone who has lived there [with his condition], it takes a huge burden off me.”

Since making the video, she’s also created a Facebook page for Christian, and receives so many messages of support that she now turns off her iPhone notifications at night so she’s able to sleep.

Buchanan knows Christian faces a much more difficult road ahead of him than a baby born without his condition, but she’s thrilled her video has inspired so many people. ”When Christian’s old enough, let’s ask him if he’s glad I let him live,” she said. “His laugh is so valuable, at 14 months old, and is making more of a difference than most people ever do.”

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“Stronger” Cover by Seattle Children’s Hospital”

Taken from: http://www.youtube.com/watch?v=ihGCj5mfCk8&feature=share

The hem/oncology floor of Seattle Children’s Hospital performs Kelly Clarkson’s song “Stronger” :) Definitely a heart-warming number, and it’s no wonder this video has gone viral! 

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“Ashton Kutcher’s Popchips Ad Pulled After Racist Outcry”

Taken from: http://abcnews.go.com/blogs/entertainment/2012/05/ashton-kutchers-popchips-ad-pulled-after-racist-outcry/

May 3, 2012

Perhaps brownface and offensive accents aren’t the best way to sell potato chips. Earlier today, an advertisement for Popchips starring Ashton Kutcher as an “Indian” man looking for love was taken down following an online outcry. While Popchips appears to have removed the ad from their Facebook page and YouTube channel, unofficial versions can still be seen.

In the ad, the “Two and a Half Men” star plays a Bollywood producer named Raj. He talks about his dating virtues in a sing-song accent with his face painted brown. Popchips, a potato chip snack, are not mentioned at any point. Three related ads feature Kutcher playing a diva, a hippie, and a biker.

Indian-Americans quickly bashed the ad and Kutcher, who serves as the brand’s “president of pop culture” and developed the $1.5 million ad campaign with Popchips’ CEO, the ad agency Zambezi, and Alison Brod PR.

On his blog, tech entrepreneur Anil Dash called the ad “a hackneyed, unfunny advertisement featuring Kutcher in brownface talking about his romantic options, with the entire punchline being that he’s doing it in a fake-Indian outfit and voice. That’s it, there’s seriously no other gag.”

He added, “if you find yourself putting brown makeup on a white person in 2012 so they can do a bad ‘funny’ accent in order to sell potato chips, you are on the wrong course. Make some different decisions.”

The indie hip-hop band Das Racist called out to Kutcher’s Twitter handle: “Hey @aplusk, what’s with the racist brownface video you talentless, pretending to care about sex trafficking piece of s**t?”

Dash later blogged that Popchips CEO Keith Belling offered him a “sincere and contrite” apology over the phone.

As for an official response to the outcry, a Popchips representative told ABCNews.com, “The new popchips worldwide dating parody featuring four characters was created to provoke a few laughs and was never intended to stereotype or offend anyone. At popchips we embrace all types of shapes, flavors and colors, and appreciate all snackers, no matter their race or ethnicity. We hope people can enjoy this in the spirit it was intended.”

Belling also apologized on the company’s blog, writing “i take full responsibility and apologize to anyone we offended.”

Kutcher has yet to tweet about or otherwise comment on the controversy

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“Ad Praising Moms of Olympians Moves the Web”

Taken from: http://shine.yahoo.com/parenting/ad-praising-moms-olympians-moves-212200056.html#more-id

April 20, 2012


It’s a special event that brings together people from all over the world. And now it has inspired a commercial that praises moms of Olympic athletes — and it has gone viral on the Web.

The spot from Procter & Gamble has already been viewed on YouTube more than 700,000 times, receiving thousands of comments. (Full disclosure: P&G is a sponsor of Yahoo! Olympics coverage.)

“Best Job,” which was created for the London 2012 Olympic Games, honors the mothers of the extraordinary athletes who will compete in this summer’s games.

The ad starts with moms around the world waking their young children when it’s still dark outside, feeding them breakfast, and seeing them off to sports practice. The moms, tireless supporters, watch their sleepy children grow into talented athletes. The payoff comes as their kids compete in the Olympics.

There is little dialogue; instead, a lush, orchestral score plays in the background. The ad’s simple text reads “The hardest job in the world is the best job in the world” and labels Proctor & Gamble a “Proud sponsor of Moms.” The spot encourages viewers to go to its Facebook page to post a thank-you message to their mothers.

The emotional ad airs at a time when the conversation about the job of being a mother is heating up (stay-at-home mom Ann Romney mixed it up with Obama supporter Hilary Rosen), and it sets the stage for the upcoming Mother’s Day (May 13) and the Olympics.

Clearly, the spot strikes a chord with both parents and offspring alike. Comments like this are typical: “this gave me chills” from user StarOwna. Viewer Shadibraish wrote, “I have seen those precious tears! … I love you MOM!” User notsalad admits, “i didnt cry the first time i watched it … but i cried the 2nd, 3rd, and 4th time.”

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KONY 2012

Taken from: http://kony2012.s3-website-us-east-1.amazonaws.com/

KONY 2012 is a film and campaign by Invisible Children that aims to make Joseph Kony famous, not to celebrate him, but to raise support for his arrest and set a precedent for international justice.

Whether you support the movement or not, if you are interested, you can get more information and join the movement using the link above.

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“Ruby Veridiano “Black & Yellow” (iLL-Literacy 2004)”

Taken from: http://www.youtube.com/watch?v=1ILABhuVr2w

iLL-Literacy’s Ruby Veridiano Ching captures the crowd with her account of the complications of love and race.

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“Pete Hoekstra Ad Brings Charges Of Racial Insensitivity”

Taken from: http://www.huffingtonpost.com/2012/02/06/pete-hoekstra-ad-china_n_1256791.html

February 6, 2012

The portrayal of a young Asian woman speaking broken English in a Super Bowl ad being run by U.S. Senate candidate Pete Hoekstra against Michigan incumbent Debbie Stabenow is bringing charges of racial insensitivity.

GOP consultant Nick De Leeuw flat-out scolded the Holland Republican for the ad.

“Stabenow has got to go. But shame on Pete Hoekstra for that appalling new advertisement,” De Leeuw wrote on his Facebook page Sunday morning. “Racism and xenophobia aren’t any way to get things done.”

The nonpartisan Asian & Pacific Islander American Vote group’s Michigan chapter said it was “deeply disappointed” by the ad, noting that the Asian-American community is a major contributor to Michigan’s economy. In 2010, Michigan’s 236,490 Asian-Americans made up 2.4 percent of the state’s population, up 35 percent from 2000. ”It is very disturbing that Mr. Hoekstra’s campaign chose to use harmful negative stereotypes that intrinsically encourage anti-Asian sentiment,” the group said in a statement.

Hoekstra campaign spokesman Paul Ciaramitaro said the ad is meant to be satirical. Hoekstra’s Facebook page, which by early evening was getting a barrage of criticism on the ad, snapped back that those “trying to make this an issue of race demonstrates their total ignorance of job creation policies.” On YouTube, the ratings buttons on the ad were disabled after it aired.

“Democrats talk about race when they can’t defend their records,” Ciaramitaro said. “The U.S. economy is losing jobs to China because of Stabenow’s reckless spending policies. China is reaping the reward.”

The 30-second ad was filmed in California and never mentions China directly. It opens with the sound of a gong and shows a young Asian woman riding a bike on a narrow path lined by rice paddies.

Stopping her bike, the woman smiles into the camera and says, “Thank you, Michigan Senator Debbie Spenditnow. Debbie spends so much American money. You borrow more and more from us. Your economy get very weak. Ours get very good. We take your jobs. Thank you, Debbie Spenditnow.” The scene then shifts to Hoekstra telling viewers near a cozy fire, “I think this race is between Debbie Spenditnow and Pete Spenditnot.”

The Hoekstra campaign set up a website,http://www.DebbieSpendItNow.com, that features the ad and includes Chinese writing, paper lanterns, parade dragons and Stabenow’s face on a Chinese fan. It accuses the Democratic senator of “pouring American dollars into the Chinese economy.”

Democrats were quick to challenge the premise of the ad, referring to Hoekstra’s 18 years in the U.S. House and the fact that he joined a Washington-based law and lobbying firm last year. ”Hoekstra’s ad is nothing more than a hypocritical attempt at a Hollywood-style makeover because the fact is, Pete spends a lot,” Michigan Democratic Chairman Mark Brewer said. “Hoekstra voted for the $700 billion Wall Street bailout and voted for trillions more in deficit spending before quitting Congress to get rich at a Washington, D.C. lobbying firm.”

Hoekstra GOP Senate rival Gary Glenn of Midland struck a similar theme. ”Saving America from the Washington, D.C., politicians who gave us this crippling debt and deficit crisis, Republican and Democrat alike, means Hoekstra and Stabenow should both get benched,” Glenn said in a release. In response to the Hoekstra ad, the state Democratic Party launched a website, hoekstrahoax.com, as well as a 60-second Web ad Sunday that shows a 2010 campaign ad run against Hoekstra by GOP gubernatorial rival Mike Cox.

Hoekstra’s hoping to get the same bump from his ad that now-Gov. Rick Snyder got with his 2010 Super Bowl ad portraying himself as “one tough nerd.” Both ads were created by media strategist Fred Davis of California-based Strategic Perception Inc. The new ad is a twist on the anti-Republican “moving jobs to China” theme that Michigan Democrats successfully used against 2006 GOP gubernatorial candidate Dick DeVos and tried to use against Snyder in 2010. This time, the focus isn’t on Republican businessmen sending jobs to China but on what Hoekstra says is Democratic overspending that has weakened the U.S. economy.

Stabenow, who’s running for a third term, has pushed for trade policies aimed at China that impose duties and penalties on countries that manipulate their currency and penalize companies that steal intellectual property from U.S. companies. She’s using the Hoekstra ad to raise money for her campaign, which already has nearly $6 million on hand.

Hoekstra’s campaign is spending $75,000 to air the ad statewide Sunday. It aired in the Grand Rapids and Kalamazoo areas before the Super Bowl began and during the game in the Traverse City, Flint, Lansing and Marquette media markets, the campaign said. The ad is set to run over the next two weeks on cable TV shows targeted at GOP voters.

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Asian Americans on YouTube – Covers of “Baby”, “The One That Got Away”

It’s not hard to turn on the TV and come to see that there are not very many accurate portrayals or roles for Asians and Asian Americans. The same goes for movies, and many other forms of entertainment. For example, it was not until 2010 that the first Asian American group had a top 10 song on US pop charts – Far East Movement’s “Like a G6″. However, many Asian Americans have turned to YouTube and quite a few are actually some of the most highly subscribed, like NigaHiga, KevJumba, WongFu Productions, HappySlip, Legaci, and many more.

Here is a look at a viral cover of Justin Bieber’s “Baby” by legaci, Traphik, Summerbreeze, and Cathy Nguyen. In case you don’t know, Legaci opened for Justin Bieber in one of his recent tours!

Here is a new cover by Legaci, Cathy Nguyen and Summerbreeze of Katy Perry’s “The One That Got Away”. Who says Asians can’t sing?

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Ben Breedlove

A reminder that death is always lurking, and so we must cherish what moments we do have.

Ben Breedlove, 18. RIP.

 

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“‘Why’d You Give That N***** Your Eraser?’: When Your 10-Year-Old Is Called Racial Slurs at School”

Taken from: http://www.racialicious.com/2011/12/07/why%E2%80%99d-you-give-that-n-your-eraser-when-your-10-year-old-is-called-racial-slurs-at-school/#more-19271

December 7, 2011

“Why’d you give that n***** your eraser?”

I send my two sons to school to learn, not so that they can be called racial slurs. But on Wednesday, a boy in 10-year-old Mr. O’s fifth grade class decided to make sure that the classroom was an extra welcoming learning environment. He posed the above question to another student, after that kid decided to give my son an eraser.

My son told me about it when I went to pick him up from his after school program and of course I was angry and upset, but I also felt numb. I am the mother of two black males in the United States. That means this is not the first time my boys have been called a racial slur.

I could write about how we are not post-racial and this is exhibit A of why I believe that racism is still America’s most vital and challenging issue. But it came to me that there’s something powerful about letting children–the most innocent of us all–share what it feels like to be called the n-word in class.

Last night I asked the boys if they’d like to talk about the racial slurs they’ve been called, and how it makes them feel. They were excited to share–we all know it’s cathartic to be able to share something painful that’s happened–and I’m glad that they know that they don’t have to keep the racism they face a secret or act like it’s not a big deal–or that it’s something they have to be ashamed of.

I filmed this interview with my boys before they went to sleep and in it Mr. T, my eight-year-old details being called an African bitch at school, and he talks about the first time he remembers being called the n-word. Mr. O talked about this most recent incident in his school, and then both boys talked about how it feels to know that when kids say these things, you still have to be in the classroom with them and what they think schools should do.

I have cried every time I watch the six minutes of this clip. It hurts like nothing else to know that children think it’s OK to call other children dehumanizing names that are steeped in the sickness of this nation’s racism.

(Editor’s note: a transcript of the video is under the cut – Arturo)

Mr. T (left): I would like to talk about racism. Kids have called me the n-word three times and for all those three times, they didn’t have a good reason. And, it’s racist for someone to call me that because the n-word is a racist word for black people and I’ve been called an African b-word once. What I told the kid the next day who called me that is, just because I’m black doesn’t mean I’m African. Because if I was African I’d be coming from Africa, and I don’t come from Africa. So that doesn’t make me African, and so that didn’t make sense for him to call me an African b-word. Anyway, it still would’ve been offensive if he just called me the b-word. Kids have spit in my face twice, and I didn’t like either of those, because it was just gross, and I hated it.

Mr. O: Hi, my name is Mr. O. About two days ago in my classroom – I’m in the fifth grade, and my teacher is a black male, so -

Mr. T: Mine too.

Mr. O: So it turns out a kid called me the n-word in class today. So I told my teacher who’s a black male, so it offended him very easily, too. He was born in the time when racism was still really active, so he was really mad with the kid, so the kid got suspended. But I didn’t like being called that, because it’s just not cool, you know?

Liz: Why isn’t it cool? Why do you think that kid called you that?

Mr. O: I’m not sure.

Mr. T: I think he called him that because basically he doesn’t know how offensive it can be to a black person. And he just thought that maybe it would be like a joke and he wouldn’t tell and no one would care, but that isn’t true. Because if it’s racist, everyone’s gonna wanna care about it, ’cause racism is a bad thing, and no one should ever want it.

Liz: What do you guys think would help kids not call each other the n-word or other names?

Mr. O: It could come from their parents, so their parents maybe could stop acting like that around their kids.

Mr. T: Maybe they could stop watching movies with the n-word. Like, one movie with the n-word isMalcolm X. In that movie they say the n-word a lot.

Liz: What about … How does it make you feel, when you’re at school to learn, and you know that kids at school are calling you these names, and you still have to be in class with them?

Mr. T: It just feels like you wish you were in another class and that you never met this kid, or that you never came to this school. The first time I ever got called the n-word was when I was five, I think. I was at the park and this kid just walked up to me and called me the n-word for no reason. At first I didn’t know what the n-word was, but then I asked mom, and she told me, and I felt really sad that he called me that. And I’ve also been called the a-word once.

Liz (to Mr. O): How do you feel? Like, this kid’s gonna come back from being suspended and you still have to be in the [same] room. Do you think that that being suspended is gonna change his attitude any?

Mr. O: No.

Liz: What do you think would change his attitude?

Mr. T: If a person could have a talk with his parents, maybe.

Mr. O: Saying that it could affect his grade, maybe. And communication with other students.

Liz: Is there anything that you think schools should be doing to help students not be racist against each other?

Mr. T: They can make a festival for all the black heroes, maybe?

Liz: That’s a good idea. (To Mr. O) What were you gonna say?

Mr. O: I think the schools can do all that they can to help, but it’s mainly the kid who has to stop doing it himself or herself. Because the schools can do all that they can, but that still might not affect that kid. But the kid has to tell himself that it’s not okay.

Liz: Is there anything else you guys would like to say about this? Do you worry it’s gonna happen again?

Mr. T: Yes. Because I’ve already been called that so many times that I never want it to happen again, or anything like what I just talked about to happen again.

Mr. O: I hope it’s not gonna happen again, because a lot of the kids in my classroom are my friends.

Liz: Well thank you so much for telling us how you guys feel and sharing your experiences.

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“Video: Student “freaks out” in library over others “breathing loudly””

Taken from: http://news.yahoo.com/blogs/sideshow/video-student-freaks-library-over-others-breathing-loudly-193101000.html

December 9, 2011

California State University, Northridge campus has ignited controversy across the Internet this morning. In the video, reportedly taken during finals week, a female student loses her temper with her fellow students, accusing them of being disruptive. (Be warned, there are a few choice words whispered during the rant):

The unnamed student hushes her schoolmates, telling them, “It’s rude. It’s disrespectful. OK? It’s finals right now.” When the other students laugh off her request, she becomes more agitated, saying, “What’s wrong with you? What is wrong with all of you?” Then, despite her pleas for silence, she raises her own voice and slams a desk, shouting, “I’m not talking louder than you, am I? Am I talking like this? Can you please just stop talking?”

While many find the scene in the video entertaining, it’s also sparked some controversy. As the LA Weekly points out, this is the latest in a series of incidents that have made Asian targets of ridicule for the way others perceive their behavior in university libraries. Of course, most casual YouTube viewers are likely just amused that the student in question lost her temper simply because her fellow students were “breathing loudly” in the library.

CSUN student Ashley Moore first posted the video to her Facebook account, but it has since been taken down.

No one seems to be taking credit for the actual filming of the video, including the anonymous user who later posted it to YouTube, claiming:

“This is not my video, i do not take credit for the recording of this video. watch and enjoy!”

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“Don’t Laugh At Me” by Peter, Paul & Mary/Mark Wills

Taken from: http://www.youtube.com/watch?v=FVjbo8dW9c8

“Don’t Laugh at Me” Cover by Mark Wills

Original lyrics by Peter, Paul & Mary

I’m a little boy with glasses
The one they call a geek
A little girl who never smiles
‘Cause I have braces on my teeth
And I know how it feels to cry myself to sleep
I’m that kid on every playground
Who’s always chosen last
A single teenage mother
Tryin’ to overcome my past
You don’t have to be my friend
But is it too much to ask

Don’t laugh at me
Don’t call me names
Don’t get your pleasure from my pain
In God’s eyes we’re all the same
Someday we’ll all have perfect wings
Don’t laugh at me

I’m the beggar on the corner
You’ve passed me on the street
And I wouldn’t be out here beggin’
If I had enough to eat
And don’t think I don’t notice
That our eyes never meet

Don’t laugh at me
Don’t call me names
Don’t get your pleasure from my pain
In God’s eyes we’re all the same
Someday we’ll all have perfect wings
Don’t laugh at me

I’m fat, I’m thin, I’m short, I’m tall
I’m deaf, I’m blind, hey, aren’t we all

Don’t laugh at me
Don’t call me names
Don’t get your pleasure from my pain
In God’s eyes we’re all the same
Someday we’ll all have perfect wings
Don’t laugh at me

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“‘No Light, No Light’: White Supremacy all dressed up in a pop video is still White Supremacy”

Taken from: http://www.racialicious.com/2011/11/22/no-light-no-light-white-supremacy-all-dressed-up-in-a-pop-video-is-still-white-supremacy/#more-19068

November 22, 2011

Florence + the Machine released the latest video this past Friday, for “No Light No Light,” the third single from their new album Ceremonials. Since frontwoman Florence Welch is known for her theatrical music video productions, the clip was eagerly awaited by her fans.

The video, directed by Iceland-based duo Arni & Kinski, has already garnered over 800,000 views on Youtube, in addition to generating countless responses over the images in the video. It’s actually slightly astounding how much racist imagery they managed to pack into just four minutes and 15 seconds.

You can watch the video for yourself to get your own interpretation, but if you can’t watch it for whatever reason here’s a brief summary: Welch, a thin white red-haired British woman, is the focal point, but at various points, we see what seems to be an Asian man in blackface, misreprentations of the voodoo religion (which of course inflicts harm on the poor white woman). The overall plot of the video seems to be of a white woman pursued by “darkness,” represented by the aforementioned man in blackface, who ends up falling into “whiteness,” represented by a choir of young white boys in a church. Oh yes, that old trope. Black = evil, white = good. Echoes of British religious imperialism and its violent history of colonization abound. You get the picture.

The video has already attracted criticism from around the blogosphere, and Jezebel’s Dodai Stewart mapped outwhy the representaion of the Voodoo religion in the music video is not only negative, but factually incorrect:

Haitian Vodou is a religion that is very misunderstood. Slaves were brought to the Caribbean against their will and forbidden to practice their traditional African religions as well as forced to convert to the religion of their masters. The Bond movie/Eurocentric/Americanized viewpoint presents Vodou as an evil, primitive version of witchcraft. But it’s a religion like any other, with a moral code, gods and goddesses. Many ceremonies deal with protection from evil spirits.

In addition, the “voodoo doll” itself has been misconstrued. In Haiti, it was traditional to nail small handmade puppets or dolls to trees near graveyards; these small figures were meant to act as messengers to the spirit world, and contact dead loved ones. It’s safe to imagine that European folks didn’t understand this — and assumed an evil intent behind a doll with nails in its body.”

On the other hand, all sorts of defenses and excuses are being pulled out of the hat to try and label this music video as anything other than what it is: racist. Glorifying the white female central character as representing goodness, all while vilifying the evil dark skinned heathen Other. The number of times this has been done in film date back to one of the very first blockbusters, D.W. Griffith’s Birth of a Nation, and continue on until today with this latest incarnation. But in this age of “colour-blindness” and “post-racial” talk, we confront a fairly new beast: vehement denial.

That’s where a large part of the problem with the discussions around this music video lie – the desire to talk about anything other than race. Fans of Welch’s have offered their own denials, including:

  •  ”it’s not blackface, he’s green!”
  • “It’s not blackface, people in Britain don’t know about blackface.”
  • “It’s not blackface, it’s a representation of darkness.”

Even fans who will readily agree that this music video is “symbolic” and uses darkness (in the shape of a, lest we forget, a human being, an Asian man in blackface who practices voodoo and chases Welch) to represent “evil” and whiteness to represent “good” will still find ways to vehemently deny it is racist. “Maybe it looks like it could be racist, but it didn’t mean to be!” they say. When it comes to confronting the argument of whether or not the video was “intentionally” racist, I’ll point to  minh-ha t. pham’s response for Threadbared to Crystal Renn’s yellowface photoshoot, where she explains:

Racism is so deeply entrenched and pervasive in many societies that everyday racism is often unintentional. On the other hand, what is always intentional is anti-racism. The struggle against racism resists the pervasive ideologies and practices that explicitly and invisibly structure our daily lives (albeit in very different ways that are stratified by race, gender, class, and sexuality). Anti-racism requires intentionality because it’s an act of conscience.

What Pham hits on there is the need to first acknowledge we live in a world where racism and white privilege exist. In the end, the excuses over why “No Light, No Light” is not racist are pointless to entertain if you can’t even begin to acknowledge that. You’d have to live in a very sheltered world to believe that this video is anything other than a giant platter of rehashed racist imagery.

Now, one thing I’m surprised others have not raised in their criticisms of the “No Light, No Light” music video is that this isn’t the first time Welch has been criticized for being “culturally insensitive,” to put it mildly. Her other music videos could hardly be excused as perfect, either.

A quick look at “Dog Days Are Over” (which has over 20 million views on Youtube) features a mishmash of unidentified Othered cultures in the background, such as women in head scarves banging on drums, an all-black gospel choir with silver foreheads, and two blue women (yes, blue). The already very light-skinned Welch is painted an even whiter white, and is featured prominently in the foreground leading the masses of ambiguously ethnic backup dancers in a frenetic crescendo. At the end of the video, they all explode into bursts of bright colours, leaving the “wild” Welch draped in a furry tattered garment, waving a flag.

What these music videos show is the amount of misrepresentations around race that many (white) artists are able to use, all under the guise of “art.” It happens in fashion photoshoots, music videos, films, books, etc on more occasions than one could possibly count. While it happens all the time, that does not make it any more defensible. And being a fan of an artist who makes a misstep and ends up creating something racist, intentionally or not, does not oblige you to running to their defense. Being a card-carrying fan of an artist or musician does not make them infallible.

Discussions about whether or not Welch is personally responsible for this racist music video have cropped up. When you break it down and imagine the number of people who were behind the storyboarding, choreographing, casting and creative direction around this video, it is slightly astounding that not one person raised concerns about how problematic this video is. Many petitions have cropped up, asking that “be pulled, edited, or reshot and she and her label should issue a sincere apology.” In putting forth this music video attached to her album and her persona, Welch has given it her unspoken seal of approval. In this case, she has also simultaneously alienated any number of people of colour and critical folks in her fanbase.

We’ll probably be waiting with bated breath, as Welch nor her label have responded to the public outcry so far.

In the end, the most important and all too often ignored factor in the case of this racist music video is just that: calling it racist. The fact that in 2011, a top-selling young creative artist has released a music video like this one means we still need to have conversations about racism, stereotypes, blackface, and impact that images in music videos like these ones have. Let’s take this opportunity to talk about how to hold artists, including pop stars, accountable for propagating racist imagery. Let’s talk about why blackface is always wrong, about why reductive stereotypical misrepresentations of people of colour are harmful and need to be confronted, and why we still have to unlearn colonial histories and legacies.

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