Tag Archives: culture

“Disney Wants To Trademark ‘Dia De Los Muertos’”

This article brings up very deep questions that I think we all need to consider: “Do you think mass-marketed items tied to a holiday promote understanding and acceptance across cultures? Or does it profit from some people’s religious traditions?” 

Taken from: http://www.fronterasdesk.org/news/2013/may/07/disney-wants-trademark-dia-de-los-muertos/

May 7, 2013

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UPDATE: A Disney studio spokesperson told Fronteras Desk late Tuesday afternoon the company will be withdrawing its trademark filing.

“As we have previously announced, Disney-Pixar is developing an animated feature inspired by the Mexican holiday Día de los Muertos. Disney’s trademark filing was intended to protect any potential title for our film and related activities. It has since been determined that the title of the film will change and therefore we are withdrawing our trademark filing.”


As first reported by Stich Kingdom, on May 1, Disney Enterprises, Inc., a subsidiary of the Walt Disney Company, filed trademark applications to secure the phrase “Dia de los Muertos” across multiple platforms for an upcoming Pixar film.

Details on one of several trademark applications Disney Enterprises, Inc. has filed with the United States Patent and Trademark Office.

Dia de Los Muertos is a popular holiday celebrated across Latin America, especially in Mexico and Central America, and it has become more popular in the United States. Families commemorate the lives of lost family members or friends between Oct. 31 and Nov. 2 each year.

Disney filed 10 requests in the U.S. Trademark and Patent Office this month to coin the phrase. Disney’s filings are mainly for merchandise, presumably connected to an upcoming film.

The areas they are hoping to secure include “education and entertainment services,” “fruit preserves; fruit-based snack foods,” “toys, games and playthings,” “clothing,” “footwear,” “backpacks,” “clocks and jewelry” and more.

Rod Berman, a patent attorney in California, says Disney is filing to protect products, not steal a holiday.

“Even if Disney were to obtain trademark registration, that wouldn’t prevent anyone from practicing their faith or having the holiday,” Berman said.

In the past, Disney sought to trademark “SEAL Team Six” the Navy SEAL team that assassinated Osama Bin Laden. They wanted exclusive rights ranging from toys to snow globes. After outcry from critics, The Wall Street Journal reported Disney withdrew the application “out of deference to the Navy.”

Many reacted angrily to the “Dia de los Muertos” news on social media, with some accusing Disney of trying to profit from a sacred Mexican tradition. Disney has not yet responded.

A Houston company listed as The Valence Group already holds a 2007 trademark for “Día de los Muertos” for entertainment services like theater, plays and musicals. A gaming company in Nevada holds a 2012 trademark for “Día de Muertos.”

The U.S. Trademark and Patent Office has issued trademarks related to other holidays such as Christmas and Hanukkah.

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“Is Hollywood ‘whitewashing’ Asian roles?”

Taken from: http://inamerica.blogs.cnn.com/2012/01/13/is-hollywood-whitewashing-asian-roles/

January 13, 2012

America’s embrace of Japanese pop culture, particularly manga and anime, hasn’t resulted in an embrace of Asian and Asian-American actors when those storylines go to Hollywood.

Two upcoming feature films based on Japanese material are already stirring controversy after rumors that white American actors will be cast as characters originally written as Japanese.

Tom Cruise is rumored to be in talks to play the lead role in the Warner Bros. adaptation of Japanese novel “All You Need is Kill,” replacing a Japanese main character. Warner Bros., which is owned by the same parent company as CNN, is also in the pre-production stages of making a live-action version of “Akira,” a graphic novel that was made into a landmark 1988 animated feature film in Japan. All of the actors rumored to be in consideration for the upcoming film’s main characters are white Americans, although casting calls invited actors of “any race” to audition.

That’s troubling to both the series’ devoted fans and advocates of diversity in casting.

Kent A. Ono, a professor of Asian-American studies at the University of Illinois at Urbana-Champaign, said the practice of casting white actors to play Asians and Asian-American characters has a long history in Hollywood. Until recent decades, this mostly took the form of white actors playing stereotypical representations of Asian characters, such as Mickey Rooney’s portrayal of I.Y. Yunioshi in 1961′s “Breakfast at Tiffany’s,” Rita Moreno as Tuptim and Yul Brynner as King Mongkut in the 1956 film “The King and I,” and Katharine Hepburn as Jade Tan in 1944′s “Dragon Seed.”

In recent years, Ono said, Asian characters have been replaced with white American versions played by big-name Hollywood stars. It happened with films like the 1960 western, “The Magnificent Seven,” which starred Brynner, Steve McQueen and Charles Bronson, and was based on the influential 1954 Japanese film by Akira Kurosawa, “Seven Samurai.” As Japanese manga and anime have grown more popular, it has happened in films like “Dragonball: Evolution” and “Speed Racer.”

“Animation and anime are these interesting contexts, because casting directors, producers and directors can say, ‘Well, the anime character is fictional and not a real live body … and to cast them as another race is OK,’” Ono said.

The result is fewer opportunities for Asian and Asian-American actors who want a shot at a powerful role.

“Not only do Asian-American actors find this a displacement of their ability to work as laborers, as performers in these sort of roles – they also find this an affront to their identity, to their work to overcome racism and be seen as legitimate actors,” Ono said.

Racebending.com, an international grassroots organization founded in 2009, protests what it sees as the “whitewashing” of film roles and pushes for the fair representation of minorities in media. Spokesman Michael Le said that the increasing popularity of manga and anime titles means that movie producers are keen to cash in, but many don’t see value in keeping the original Asian characters that made them popular. “I remember 10 years ago, I could walk into [the comics aisle of] a Barnes and Noble and it would be all western comics, all DC and Marvel. Now I walk in and the Asian section is bigger than the western comics section,” Le said. “Asian culture is enormously popular and acceptable, but the people are not. The people are inconveniently the wrong race, and so whitewashing is a result.”

Le and other fans want the studios to avoid the debacle associated with the 2010 live-action film “Avatar: The Last Airbender.” The M. Night Shamalyan production tanked with critics and fans after being dogged by controversy surrounding its casting. The ”Avatar” animated television series, on which the movie was based, takes place in a fantasy world populated by four Asian- and Inuit-based cultures. But the actors for each of the lead roles were white, except one – the villain, played by “Slumdog Millionaire” star Dev Patel. Racebending.com was formed to protest the production’s decision to “racebend” the characters – wordplay that alludes to the element “benders” from the “Avatar” series.

The Warner Bros.’ planned live-action adaptation of “Akira” has fans watching closely. According to articles in The Hollywood Reporter and sci-fi blog i09.com, Garret Hedlund was being tapped to play the lead role of Shotaro Kaneda, with Kristen Stewart, Helena Bonham Carter and Ken Watanabe in talks to play other main roles. Except for Watanabe, who is Japanese, all are white. An unnamed studio insider told the Hollywood Reporter for a January 5 storythat preproduction had stopped due to issues related to script, budget and casting. Warner Bros. spokeswoman Jessica Zacholl said the studio had no comment regarding the holdup in production for “Akira” or any rumored casting decisions.

The original Japanese anime version of “Akira,” made in 1988, is considered a pinnacle of Japanese animated film. The story revolves around a catastrophic explosion that destroys the city of Tokyo – an explosion which is first implied to be nuclear in origin, a reminder of fears about atomic destruction in Japan since the bombings of Hiroshima and Nagasaki.

Fans of the manga and original movie question whether the nuances of a plot so deeply intertwined with Japanese history can survive a setting change to Manhattan.

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“Mexicans confront racism with white, black doll video”

Taken from: http://latimesblogs.latimes.com/world_now/2011/12/mexico-racism-video-children-debate-race.html#more

December 30, 2011

Is Mexico’s an inherently racist society? Does the culture overwhelmingly favor those with light skin over those with dark skin? And if so, is that a legacy of European colonialism or present-day images in television and advertising?

These are among the thorny questions emerging in online forums in Mexico since a government agency began circulating a “viral video” showing schoolchildren in a taped social experiment on race. The kids are seated at a table before a white doll and a black doll, and are asked to pick the “good doll” or the doll that most resembled them. The children, mostly brown-skinned, almost uniformly say the white doll was better or most resembled them.

One child in the video with mixed-race features says the white doll resembled him “in the ears.”

“Which doll is the good doll?” a woman’s voice asks the child.

“I am not afraid of whites,” he responds, pointing to the white doll. “I have more trust.”

Mexico’s National Council to Prevent Discrimination, or Conapred, in mid-December began circulating the video, modeled on the 1940s Clark experiments in the United States. The children who appear in it are mostly mestizos, or half-Spanish, half-Indian, and a message said they were taped with the consent of their parents and told to respond as freely as they could.

Mexicans who saw the video said online that they were dismayed but not surprised by its results, and also offered some criticism for the agency that produced it.

Commenters have noted that the options were “very limiting” by offering only black and white, or good and bad, when in Mexico the majority of the population is mixed-race, mostly European and indigenous, and to a lesser extent African and Asian backgrounds. ”It is a poorly formulated question, it is pretentious,” one user said on the website VivirMexico (link in Spanish). Yet many also said the video reveals a deep-seated prejudice that is taught to children in Mexico from an early age.

In 2010, the Televisa network was criticized for showing actors in black face during the World Cup in South Africa. In May, the case of a black man who died after a confrontation with police in Mexico City led to protests against Mayor Marcelo Ebrard.

Wilner Metelus, a sociology professor and leader of a committee advocating for Afro-Mexicans and black immigrants, said the doll video shows how far the country must go to recognize the prevalence of racism and the need to educate young people. ”The Mexican state still does not officially recognize Afro-Mexicans. There are few texts that talk about the presence of Africans in Mexico,” Metelus said. “We need a project in the schools to show that the dark children are just the same as them, as the lighter children. And not only in schools; it is also necessary in Mexican families.”

On Friday, the daily La Jornada published a report saying black immigrants in Mexico and the Afro-Mexican minority still suffer racism and discrimination that is not adequately acknowledged by the government (link in Spanish). ”[Dark] skin color is still associated with foreignness,” Luz Maria Martinez, a leading anthropologist on Afro-Mexican culture, told the newspaper. “We do not know how to value the indigenous culture, which is very rich, or the African culture, which is as great as any in the world.”

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“Some Asians’ college strategy: Don’t check ‘Asian’”

Taken from: http://news.yahoo.com/asians-college-strategy-dont-check-asian-174442977.html

December 3, 2011

Lanya Olmstead was born in Florida to a mother who immigrated from Taiwan and an American father of Norwegian ancestry. Ethnically, she considers herself half Taiwanese and half Norwegian. But when applying to Harvard, Olmstead checked only one box for her race: white. ”I didn’t want to put ‘Asian’ down,” Olmstead says, “because my mom told me there’s discrimination against Asians in the application process.”

For years, many Asian-Americans have been convinced that it’s harder for them to gain admission to the nation’s top colleges.

Studies show that Asian-Americans meet these colleges’ admissions standards far out of proportion to their 6 percent representation in the U.S. population, and that they often need test scores hundreds of points higher than applicants from other ethnic groups to have an equal chance of admission. Critics say these numbers, along with the fact that some top colleges with race-blind admissions have double the Asian percentage of Ivy League schools, prove the existence of discrimination. The way it works, the critics believe, is that Asian-Americans are evaluated not as individuals, but against the thousands of other ultra-achieving Asians who are stereotyped as boring academic robots.

Now, an unknown number of students are responding to this concern by declining to identify themselves as Asian on their applications. For those with only one Asian parent, whose names don’t give away their heritage, that decision can be relatively easy. Harder are the questions that it raises: What’s behind the admissions difficulties? What, exactly, is an Asian-American — and is being one a choice?

Olmstead is a freshman at Harvard and a member of HAPA, the Half-Asian People’s Association. In high school she had a perfect 4.0 grade-point average and scored 2150 out of a possible 2400 on the SAT, which she calls “pretty low.” College applications ask for parent information, so Olmstead knows that admissions officers could figure out a student’s background that way. She did write in the word “multiracial” on her own application. Still, she would advise students with one Asian parent to “check whatever race is not Asian.” ”Not to really generalize, but a lot of Asians, they have perfect SATs, perfect GPAs, … so it’s hard to let them all in,” Olmstead says.

Amalia Halikias is a Yale freshman whose mother was born in America to Chinese immigrants; her father is a Greek immigrant. She also checked only the “white” box on her application. ”As someone who was applying with relatively strong scores, I didn’t want to be grouped into that stereotype,” Halikias says. “I didn’t want to be written off as one of the 1.4 billion Asians that were applying.” Her mother was “extremely encouraging” of that decision, Halikias says, even though she places a high value on preserving their Chinese heritage. ”Asian-American is more a scale or a gradient than a discrete combination . I think it’s a choice,” Halikias says.

But leaving the Asian box blank felt wrong to Jodi Balfe, a Harvard freshman who was born in Korea and came here at age 3 with her Korean mother and white American father. She checked the box against the advice of her high school guidance counselor, teachers and friends. ”I felt very uncomfortable with the idea of trying to hide half of my ethnic background,” Balfe says. “It’s been a major influence on how I developed as a person. It felt like selling out, like selling too much of my soul.” ”I thought admission wouldn’t be worth it. It would be like only half of me was accepted.”

Other students, however, feel no conflict between a strong Asian identity and their response to what they believe is injustice. ”If you know you’re going to be discriminated against, it’s absolutely justifiable to not check the Asian box,” says Halikias.

Immigration from Asian countries was heavily restricted until laws were changed in 1965. When the gates finally opened, many Asian arrivals were well-educated, endured hardships to secure more opportunities for their families, and were determined to seize the American dream through effort and education. These immigrants, and their descendants, often demanded that children work as hard as humanly possible to achieve. Parental respect is paramount in Asian culture, so many children have obeyed — and excelled. ”Chinese parents can order their kids to get straight As. Western parents can only ask their kids to try their best,” wrote Amy Chua, only half tongue-in-cheek, in her recent best-selling book “Battle Hymn of the Tiger Mother.” ”Chinese parents can say, ‘You’re lazy. All your classmates are getting ahead of you,’” Chua wrote. “By contrast, Western parents have to struggle with their own conflicted feelings about achievement, and try to persuade themselves that they’re not disappointed about how their kids turned out.”

Of course, not all Asian-Americans fit this stereotype. They are not always obedient hard workers who get top marks. Some embrace American rather than Asian culture. Their economic status, ancestral countries and customs vary, and their forebears may have been rich or poor. But compared with American society in general, Asian-Americans have developed a much stronger emphasis on intense academic preparation as a path to a handful of the very best schools. ”The whole Tiger Mom stereotype is grounded in truth,” says Tao Tao Holmes, a Yale sophomore with a Chinese-born mother and white American father. She did not check “Asian” on her application. ”My math scores aren’t high enough for the Asian box,” she says. “I say it jokingly, but there is the underlying sentiment of, if I had emphasized myself as Asian, I would have (been expected to) excel more in stereotypically Asian-dominated subjects.” ”I was definitely held to a different standard (by my mom), and to different standards than my friends,” Holmes says. She sees the same rigorous academic focus among many other students with immigrant parents, even non-Asian ones. Does Holmes think children of American parents are generally spoiled and lazy by comparison? “That’s essentially what I’m trying to say.”

Asian students have higher average SAT scores than any other group, including whites. A study by Princeton sociologist Thomas Espenshade examined applicants to top colleges from 1997, when the maximum SAT score was 1600 (today it’s 2400). Espenshade found that Asian-Americans needed a 1550 SAT to have an equal chance of getting into an elite college as white students with a 1410 or black students with an 1100.

Top schools that don’t ask about race in admissions process have very high percentages of Asian students. The California Institute of Technology, a private school that chooses not to consider race, is about one-third Asian. (Thirteen percent of California residents have Asian heritage.) The University of California-Berkeley, which is forbidden by state law to consider race in admissions, is more than 40 percent Asian — up from about 20 percent before the law was passed.

Steven Hsu, a physics professor at the University of Oregon and a vocal critic of current admissions policies, says there is a clear statistical case that discrimination exists. ”The actual dynamics of how it happens are really quite subtle,” he says, mentioning factors like horse-trading among admissions officers for their favorite candidates. Also, “when Asians are the largest group on campus, I can easily imagine a fund-raiser saying, ‘This is jarring to our alumni,’” Hsu says. Noting that most Ivy League schools have roughly the same percentage of Asians, he wonders if “that’s the maximum number where diversity is still good, and it’s not, ‘we’re being overwhelmed by the yellow horde.’” Yale, Harvard, Princeton and the University of Pennsylvania declined to make admissions officers available for interviews for this story.

Kara Miller helped review applications for Yale as an admissions office reader, and participated in meetings where admissions decisions were made. She says it often felt like Asians were held to a higher standard. ”Asian kids know that when you look at the average SAT for the school, they need to add 50 or 100 to it. If you’re Asian, that’s what you’ll need to get in,” says Miller, now an English professor at the University of Massachusetts-Dartmouth. Highly selective colleges do use much more than SAT scores and grades to evaluate applicants. Other important factors include extracurricular activities, community service, leadership, maturity, engagement in learning, and overcoming adversity.Admissions preferences are sometimes given to the children of alumni, the wealthy and celebrities, which is an overwhelmingly white group. Recruited athletes get breaks. Since the top colleges say diversity is crucial to a world-class education, African-Americans, Latinos, Native Americans, and Hawaiian/Pacific Islanders also may get in despite lower scores than other applicants.

A college like Yale “could fill their entire freshman class twice over with qualified Asian students or white students or valedictorians,” says Rosita Fernandez-Rojo, a former college admissions officer who is now director of college counseling at Rye Country Day School outside of New York City. But applicants are not ranked by results of a qualifications test, she says — “it’s a selection process.” ”People are always looking for reasons they didn’t get in,” she continues. “You can’t always know what those reasons are. Sometimes during the admissions process they say, ‘There’s nothing wrong with that kid. We just don’t have room.’” In the end, elite colleges often don’t have room for Asian students with outstanding scores and grades.

That’s one reason why Harvard freshman Heather Pickerell, born in Hong Kong to a Taiwanese mother and American father, refused to check any race box on her application. ”I figured it might help my chances of getting in,” she says. “But I figured if Harvard wouldn’t take me for refusing to list my ethnicity, then maybe I shouldn’t go there.” She considers drawing lines between different ethnic groups a form of racism — and says her ethnic identity depends on where she is. ”In America, I identify more as Asian, having grown up there, and actually being Asian, and having grown up in an Asian family,” she says. “But when I’m back in Hong Kong I feel more American, because everyone there is more Asian than I am.”

Holmes, the Yale sophomore with the Chinese-born mother, also has problems fitting herself into the Asian box — “it doesn’t make sense to me.” ”I feel like an American,” she says, “…an Asian person who grew up in America.”

Susanna Koetter, a Yale junior with an American father and Korean mother, was adamant about identifying her Asian side on her application. Yet she calls herself “not fully Asian-American. I’m mixed Asian-American. When I go to Korea, I’m like, blatantly white.” And yet, asked whether she would have considered leaving the Asian box blank, she says: “That would be messed up. I’m not white.”

“Identity is very malleable,” says Jasmine Zhuang, a Yale junior whose parents were both born in Taiwan. She didn’t check the box, even though her last name is a giveaway and her essay was about Asian-American identity. ”Looking back I don’t agree with what I did,” Zhuang says. “It was more like a symbolic action for me, to rebel against the higher standard placed on Asian-American applicants.” ”There’s no way someone’s race can automatically tell you something about them, or represent who they are to an admissions committee,” Zhuang says. “Using race by itself is extremely dangerous.”

Hsu, the physics professor, says that if the current admissions policies continue, it will become more common for Asian students to avoid identifying themselves as such, and schools will have to react. ”They’ll have to decide: A half-Asian kid, what is that? I don’t think they really know.”

The lines are already blurred at Yale, where almost 26,000 students applied for the current freshman class, according to the school’s web site.About 1,300 students were admitted. Twenty percent of them marked the Asian-American box on their applications; 15 percent of freshmen marked two or more ethnicities. Ten percent of Yale’s freshmen class did not check a single box.

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STARS: “We’re Not a Costume” Campaign

Taken from: http://lissawriting.wordpress.com/2011/10/23/racism-think/

STARS (Students Teaching Against Racism) mission: “to educate and facilitate discussion about racism and to promote racial harmony and to create a safe, non-threatening environment to allow participants to feel comfortable to express their feelings.”

The “we’re not a costume” campaign may be timed for Halloween, but it’s a reaction to an attitude that’s accepted every day as normal. It’s hard to explain exactly what is so wrong about being a geisha or a sheik for Halloween. It’s unsettling. It’s a feeling I’ve always struggled to articulate — a discomfort that sort of just sits in the place between your heart and your stomach, quietly nagging. It’s a sense of being wronged without knowing exactly what was done to you.

People who think racism is dead think so because they don’t see active discrimination. They think, “But minorities are allowed to do everything I’m allowed to do, so where’s the harm?” STARS’ poster campaign calls attention to another problem: Minorities are often made into caricatures.

And that’s why Ohio University’s Students Teaching About Racism in Society exists. STARS aims to “educate and facilitate discussion about racism and to promote racial harmony and to create a safe, non-threatening environment to allow participants to feel comfortable to express their feelings.”

STARS exists because racism is only playing dead. It manifests itself not in slurs and exclusion, but in stupid jokes and really inaccurate costumes. As a minority, you’re a character, not a person. People dress up as you on Halloween. On TV, you’re the token black guy, easily replaced by some other black guy after one season.

Racism is so much stealthier now. It doesn’t announce itself, and it’s complicated.

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