Category Archives: Picture

“Victoria’s Secret Apologizes for Fashion Show Gaffe”

Taken from: http://finance.yahoo.com/blogs/the-exchange/victoria-secret-apologizes-fashion-show-gaffe-194400804.html

November 12, 2012

The annual Victoria’s Secret fashion show taped last Wednesday caused a minor stir last week — but not because of any sexy underwear on display.

Model Karlie Kloss (pictured at left) set off some controversy when she walked the runway wearing a Native American headdress (also called a war bonnet), a culturally insensitive faux pas that led the company to pull the footage of the offending outfit from its planned Dec. 4broadcast.

Several Native American groups called the lingerie company out for the blunder. Native Appropriations, a blog covering imagery of indigenous cultures, accused the retailer of “egregious cultural appropriation, stereotyping, and marginalizing of Native peoples.” Ruth Hopkins, a columnist for a Native American news site, wrote that “after years of patronage and loyalty to the Victoria’s Secret brand, I am repaid with the mean-spirited, disrespectful trivialization of my blood ancestry and the proud Native identity I work hard to instill in my children.” Putting a headdress on a white model is particularly offensive, she wrote, because among the Sioux tribe, war bonnets are exclusively worn by men, with each feather symbolizing an act of valor.

The $12 million show, which had musical performances by Rihanna, Justin Bieber and Bruno Mars, showcased plenty of not-meant-to-be worn ensembles, including circus-themed outfits and a $2.5 million “fantasy bra.” Last year the show averaged nearly 10.4 million viewers, up from 8.9 million in 2010, according to Horizon Media. (This year’s show was taped on Nov. 7 and is set to air Dec. 4.)

Kloss, who walked the catwalk in a leopard bikini, turquoise beaded jewelry, high-heeled moccasins, and a floor-length feathered headdress (with the word “Thanksgiving” projected on a screen behind her), issued an apology via her Twitter account on Sunday: “I am deeply sorry if what I wore during the VS Show offended anyone. I support VS’s decision to remove the outfit from the broadcast.”

Victoria’s Secret, owned by Limited Brands (LTD) also apologized on Twitter, and issued a statement: “We are sorry that the Native American headdress replica used in our recent fashion show has upset individuals. We sincerely apologize as we absolutely had no intention to offend anyone. Out of respect, we will not be including the outfit in any broadcast, marketing materials nor in any other way.”

Whether the controversy will put any kind of dent in Victoria’s Secret’s sales is questionable. By apologizing and pulling the offending clip from the show, the company addressed the goof quickly, so the damage will likely be minimal, says Brad Adgate, director of research at Horizon Media. With a presence in nearly every shopping mall in the country, it’s the biggest specialty retailer for intimate apparel. In 2011 Limited Brands sales sales increased $751 million to $10.364 billion, while Victoria’s Secret Stores sales rose $601 million to $6.121 billion.

The lingerie seller isn’t alone among big-name retailers accused of insensitivity. There was a fair amount of anger aimed at American Apparel, which sent an e-mail blast to customers during Hurricane Sandy for a 20% off sale for people living in the affected states, with a tagline that read “In case you’re bored during the storm.”

The headdress gaffe also — oddly — comes soon after the band No Doubt pulled its music video last week after getting complaints that it was insensitive to Native Americans. In the video for “Looking Hot,” band members dress up in stereotypical cowboys and Indians attire.

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“We’re a Culture, Not a Costume”

Halloween has come and gone, but the discussion about stereotypes and stereotypical costumes is a topic that must constantly be addressed. 

Taken from: http://www.inquisitr.com/378153/were-a-culture-not-a-costume-ohio-students-seek-to-end-racist-halloween-garb/

October 27, 2012

Ohio University student group Students Teaching About Racism in Society (STARS) is reviving their 2011 social awareness campaign “We’re a Culture, Not a Costume” in an effort to combat racially stereotypical costumes this Halloween season. Featuring the tagline “You wear the costume for one night, I wear the stigma for life” the images have incited a discussion across the web about the appropriateness of some costume choices.

The campaign features a series of ads showing people of different races and ethnicities posing alongside some of the insensitive costumes many of us are used to seeing this time of year. The images range from rappers and gang bangers, suicide bombers, Asian “mathletes” to even depicting African tribal women and an African American woman pregnant and smoking a cigarette.

After receiving criticism last year for failing to include Caucasian stereotypes this year’s campaign also includes a white man posing next to an “Appalachian” or “Redneck” costume.

We're a Culture Not a Costume campaign

STARS President Keith Hawkins, an Ohio University senior, spoke with CNN about the group’s decision to resurrect their “We’re a Culture, Not a Costume” campaign to increase social awareness of the dangers of racial stereotyping:

“[We] decided to continue with the posters because we agreed that they were not only successful last year but actually made a difference on campus and in the global community … We were told by many professors that students wanted to talk about it, and this is exactly what we were looking to do. So we hoped we could put out another strong campaign this year that will continue the message of racial awareness and inclusiveness.”

So what exactly makes an offensive costume? Where is the line between homage and insult? Hawkins believes a costume falls into a questionable area when it portrays negative cultural stereotypes meant to poke fun at an already ostracized culture.

“When the costume portrays a hero or legend in general, I would say it is not offensive … It is the act of either using the hero or legend that over-exaggerates negative stereotypes that often stigmatize marginalized cultures that makes the costume offensive.”

Link to last year’s post: http://agentsofsocialchange.wordpress.com/2011/10/24/stars-were-not-a-costume-campaign/

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“Italian Vogue endorses ‘slave earrings,’ offers possibly most embarrassing vogue gaffe ever”

Taken from: http://thegloss.com/fashion/italian-vogue-endorses-slave-earrings-offers-possibly-most-embarrassing-vogue-gaffe-ever/

August 23, 2011

A few weeks ago, Vogue Italia’s website produced a paragraph of fashion copy so stunningly insensitive it must be seen to be believed. Thank you, Jezebel, for noticing. First, let’s have a look at the headline:

So, that’s astounding. Boasting the title of first major fashion glossy to publish an all-black model issue (problematic though that may be) and editor-in-chief Franca Sozzani’s initiatives against pro-ana websites, Italian Vogue is commonly thought to be the most progressive of the Vogue family. So you figure, oh god, maybe it’s just a problem with translation, right? Right…?

THE LATEST INTERPRETATION IS PURE FREEDOM.

Italian Vogue has since changed the headline of the post to “Ethnic Earrings” and managed to excise the word “slave” from the body copy (that’s the update above, but Jezebel has its original version). I suppose they forgot to update the tags.

Pricelessly, the copy still concludes: “And the evolution goes on.” Maybe next time we can evolve away from anything resembling this kind of horseshit?

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“Dolce & Gabbana offers racist earrings for spring 2013

Taken from: http://thegloss.com/fashion/dolce-and-gabbana-racist-earrings-392/#ixzz27ibkiiRD

September 26, 2012

Every time the fashion industry does something racist (and it happens pretty much all the time), we cover it and are inevitably shouted down by a chorus of smarter people who 1) all agree what racism is and 2) believe that [whatever X is] is, in fact, not racist. Moreover, every time we critisize someone or some brand for racism, we are called any number of names–usually along the lines of PC, stupid, or unfamiliar with words (“No, the Klan is racist,” which means that… that other stuff can’t be, we guess?). But our absolute favorite pseudo-argument is, “You’re racist for seeing it that way.” So, we’re cutting that off at the pass.

Because we are huge racists, we wanted to point out Dolce & Gabbana‘s new Spring 2013 earrings: busts of black women with exaggerated red lips, wearing bright turbans embellished with fruit (in the style of traditional blackamoors). We’ll let fellow racists Refinery29 take it away, “The luxury brand debuted a spring ’13 collection that rested heavily on the laurels of a long-lost colonial era, complete with all the cartoonish, debasing, subaltern imagery that would make even your politically incorrect Grandpa think twice.”

Though some of you will squabble about the difference between racism and tastelessness, we are of the opinion that fostering (and profiting off) negative ethnic stereotypes is racist. Especially in the context of a luxury brand owned by white men who’ve created a collection shown exclusively on white models, set against a nebulously “island” backdrop. But we could just be reading into it.

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“Sikh Woman Balpreet Kaur Turns Cyber Bullying Incident into Inspiration”

Taken from: http://shine.yahoo.com/women-who-shine/sikh-woman-balpreet-kaur-turns-cyber-bullying-incident-203500244.html

September 27, 2012

After someone snapped a photo of her andposted it on online, Balpreet Kaur was ridiculed for following the tenants of her Sikh faith. But instead of hiding or lashing out, she politely posted a reply—and turned a bullying situation into a inspiring example of tolerance, support, and inspiration.

The photo was taken apparently without Kaur’s knowledge while she was waiting in line at the Ohio State University Library. In the photo, Kaur’s hair is hidden by a large, black turban. She’s wearing a T-shirt and yoga pants, glasses, and is looking down at her cell phone; her sparse facial hair is clearly visible. A Reddit user posted it to the “Funny” forum with the quip, ”I’m not sure what to conclude from this.”

Comments started pouring in, making fun of her appearance, asking if she was transgendered, and taking her to task for not plucking, waxing, or shaving.

After a friend told her about the thread, Kaur decided to respond to the taunts herself—and take the opportunity to educate people at the same time.  ”Hey, guys. This is Balpreet Kaur, the girl from the picture,” she wrote. “I’m not embarrassed or even humiliated by the attention [negative and positive] that this picture is getting, because it’s who I am.”

As a baptized Sikh woman, Kaur—who is from Ohio—said that she is forbidden from altering her body, as it is considered a sacred gift from God.  ”The overarching principal is this body is a tool for service,” she explained. “We have to maintain and take care of it while cherishing its original form.” That means that going to the hospital and taking medicine is fine, because one should be healthy in order to be of service to others. But cutting one’s hair or removing one’s facial hair is forbidden, even if societal norms dictate otherwise. ”My hair doesn’t stop me from being normal or doing service so its not a hindrance,” she said in a later post. “I’ve been to the doctor regarding this and it’s just a side effect of my hormone levels during my teenage years. The hormones have returned to normal, but the hair is still there. That’s fine :) I don’t regret anything, nor do I view it as an unfortunate thing.”

Sikhism was founded in the Punjab region of India in the 15th century; there are approximately 30 million Sikhs in the world. Followers believe in the equality of all human beings and in a single, infinitely powerful, omnipresent, genderless God. Instead of heaven or hell, the religion promotes salvation through a spiritual union with God; ego, anger, greed, attachment, and lust are considered the Five Evils. Sikhs do not believe in recruiting converts, though they welcome those who wish to join their faith. Once baptized or formally initiated into the faith, they vow to wear five religious symbols at all times, one of which is leaving their body hair uncut.

“Yes, I’m a baptized Sikh woman with facial hair. Yes, I realize that my gender is often confused and I look different than most women,” wrote Kaur, who is the president of the Ohio State University’s Sikh Student Association. “My attitude and thoughts and actions have more value in them than my body… by not focusing on the physical beauty, I have time to cultivate those inner virtues and hopefully, focus my life on creating change and progress for this world in any way I can.”

Her words quickly inspired readers on Reddit and elsewhere to reevaluate their reactions. A cross-post on the Facebook page for Kaurista garnered more than 6,750 likes and more than 850 comments.

“I know that I don’t have the courage to live that purely,” Shannon Dolce commented on Facebook. “I am inspired to live MORE true to how my creator sees me, though.”

“I think we can agree that even the non-religious can benefit from taking a page from your book — thank you,” wrote a Redditor named “anothertimearound”.

“You are awesome. If your faith has made you this well-adjusted and positive and secure in your own skin, and focused on the things in life that truly matter, then I am glad that there are Sikhs in this world.” Reddit reader “Anna Mosity” wrote. “The world could use more people like you.”

A few days later, the Reddit user who posted the picture started a new thread to apologize to Kaur.  ”I felt the need to apologize to the Sikhs, Balpreet, and anyone else I offended when I posted that picture,” the Redditor wrote. “Put simply it was stupid. Making fun of people is funny to some but incredibly degrading to the people you’re making fun of. It was an incredibly rude, judgmental, and ignorant thing to post.”  ”I’ve read more about the Sikh faith and it was actually really interesting. It makes a whole lot of sense to work on having a legacy and not worrying about what you look like. I made that post for stupid internet points and I was ignorant.” he continued. “Balpreet, I’m sorry for being a closed minded individual. You are a much better person than I am. Sikhs, I’m sorry for insulting your culture and way of life. Balpreet’s faith in what she believes is astounding.”

Kaur says that she’s happy to spend time explaining her religion and her appearance to people. “I do not think explaining myself and the way I am is a waste of energy because storytelling in itself is a way to fight the apathy in this world,” she explained in a follow-up post on Thursday. “By simple interactions like this, we can better understand each other and make this world more open and loving even if it is just one person or many.”

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“Monument to Civil War general, Ku Klux Klan leader triggers controversy

Taken from: http://usnews.nbcnews.com/_news/2012/08/22/13415785-monument-to-civil-war-general-ku-klux-klan-leader-triggers-controversy?lite

August 22, 2012

The renovation of a monument honoring a Civil War Confederate general, who was the first “Grand Wizard” of the Ku Klux Klan, is once more creating controversy in Selma, Ala., 11 years after protesters got it moved off of public property.

The memorial is being repaired after the bust of Gen. Nathan Bedford Forrest was stolen in March from the 7-foot-tall granite monument it rested upon at a cemetery in Selma, reported The Birmingham News. A group known as the Friends of Forrest are replacing it, according to local media; and the United Daughters of the Confederacy are adding a pedestal and fencing to make it harder to steal, Selma City Council President Dr. Cecil Williamson told NBC News.

“I would recommend this man (Forrest) for any young people to model his life after,” Todd Kiscaden, of Friends of Forrest, told local NBC affiliate WSFA 12 News. “The man always led from the front. He did what he said he was going to do. He took care of his people, and his people included both races.”

Not everyone remembers the general that way.

Though Forrest was one of the Confederacy’s better generals and their best cavalry leader, he was an “extreme racist,” Mark Pitcavage, an expert of military history and right-wing extremism at the Anti-Defamation League, told NBC News.

Renovations on an Alabama monument honoring the Ku Klux Klan’s founder has sparked outrage from critics who are pushing to stop the expansion. WSFA’s Samuel King reports.

Men under his command killed “in cold blood” 250 black soldiers fighting for the Union who were captured at Fort Pillow in Tennessee, Pitcavage said. “No one has ever proven conclusively that Forrest himself ordered it, but at the very least this was the sort of thing he was letting his men do,” he added. A federal congressional committee investigating the April 12, 1864, killings received testimony that as many as 200 black soldiers were slain after they surrendered at Fort Pillow.

“Here’s a man who killed African-Americans who had surrendered, who were not a threat to anybody,” Sen. Hank Sanders, D-Selma, told WSFA. “And yet we are talking about a monument to him.”

Forrest, a slave owner and a slave trader, was tapped to be the Ku Klux Klan’s first Grand Wizard – or supreme leader, the KKK’s highest position — at a meeting in April 1867, according to Pitcavage and the Anti-Defamation League. “Although he was the titular head of the entire Ku Klux Klan, in practice he didn’t have much influence beyond Tennessee. It’s not like the Internet was there and he could give guidance to all of his followers across the country,” Pitcavage said.

The Klan was “unbelievably violent,” killing many people and burning down schools and churches, leading Forrest to disband it in 1868 because the Grant administration decided to send federal troops to the South to maintain public order, Pitcavage said.

“All he (Forrest) did was issue a formal order for appearance’s sake, knowing that the Klan was not going to disappear and the Klan did not disappear. It continued full force for a number of years, but he was no longer officially its head after that point,” he said.

The first monument to Forrest was put up on city property in October 2000 under the permission of the local government administration in power at the time. People dumped trashed on it and held a mock lynching, tying rope around it in protest, Williamson said. With a new mayor in office and “such a public outcry from parts of the community about it being on public property,” the city council voted to move it in 2001, he added.

The new site is on an acre of land donated to the United Daughters of the Confederacy in 1877, said Williamson, adding that he believed the group was in control of the lot. NBC News’ efforts to reach the group for comment were not successful.

“Once it was moved it had just basically been sitting out there for the past 11 years undisturbed until the bust was stolen,” Williamson said. “It was like most people in town did not know or did not care that it was even out in the cemetery.”

But, Malika Sanders-Fortier, who described herself as a community leader in Selma, has started apetition calling for the city council to remove the monument. ”Monuments celebrating violent racism and intolerance have no place in this country, let alone in a city like Selma, where the families of those attacked by the Klan still live,” she wrote in her petition, which had collected more than 15,000 signatures as of Wednesday.

But Williamson said it wasn’t a city matter, noting the monument didn’t belong to the local government, and that, as far as he knew, it was not on city property.

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“Elizabeth Hurley’s Bikini Line For Young Girls Called ‘Disturbing’ And ‘Inappropriate’”

Taken from: http://ohnotheydidnt.livejournal.com/72056264.html#ixzz26wLXZoDM

September 17, 2012

Actress Elizabeth Hurley calls her line of swimwear for girls “fun” on her website. But parents along with a child protection charity in the U.K. have had a different reaction — they’re accusing Hurley and her brand of sexualizing young girls.

“It is very disturbing to see some inappropriate items in this swimwear range,” Claude Knight, the director of the charity Kidscape told the Daily Mail.

Knight points out pieces like the “Mini Cha Cha Bikini,” an animal-print two-piece for girls under 8 and the “Collete Bikini,” a suit that is held together by a gold ring and is meant specifically “for girls [ages 8-13] who want to look grown up.” According to the company’s website, “This bikini looks fab with our cheetah ruffled skirt.”

Image Hosted by ImageShack.us

Siobhan Freegard, founder of the community Netmums told the Daily Mail that she knows “a number of mothers who are concerned about the sexualization of their children and would be horrified by their daughters dressing like mini-strippers.”

And, their concerns are validated by science. A recent study found that girls as young as 6 think of themselves as sex objects and want to be considered sexy. In an earlier study, Psychologists named clothing as a factor that encourages these youngsters to objectify themselves. This research was particularly disturbing given that “almost a third of girls’ clothing for sale at 15 major retailers [had] sexualizing characteristics.”

Knight told Sky News that Hurley shouldn’t take all of the blame now. Rather, the fashion industry should stop making clothes for kids that are so adult-like.

Jen M.L., a mother of two who blogs at “People I Want To Punch In The Throat” agrees on that front. In a HuffPost blog, Jen says she is “horrified” by clothing selections when she takes her 4-year-old daughter shopping. She recounts a specific Easter shopping trip when ”there were several dresses that looked like they should come with a complimentary pole and hooker heels!” But, Jen doesn’t blame the industry entirely. She also writes that consumers — parents specifically — should stop buying and supporting the production of such items. “If we’d just stop buying this misogynistic whore-wear maybe companies would stop trying to sell it to us.”

With regard to Hurley’s line, a spokesperson told the Daily Mail that the collection has sold “extremely well.” He added, “Most of our customers are repeat customers who report that their kids adore the designs.”

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“Estonian newspaper publishes mock ad for weight-loss pills depicting emaciated prisoners”

A mock ad?  Mock or not, how is this acceptable on any level? Where is the “funny” in disrespecting, belittling, caricaturizing a moment in history where real people were horrifically persecuted and killed under a genocidal regime? These examples of poor marketing choices and “humor” are heartbreaking and disappointing.

***

Taken from: http://www.nydailynews.com/news/world/estonian-newspaper-publishes-mock-ad-weight-loss-pills-depicting-emaciated-prisoners-nazi-concentration-camp-article-1.1155703

September 9, 2012

The ad reads ‘One, Two, Three… Dr Mengele slimming pills work wonders for you!  There were no thickset people in Buchenwald!” according to RT.com, a Russian 24/7 English-language website.

Jewish organizations have denounced an Estonian newspaper for publishing a mock ad for weight-loss pills depicting emaciated prisoners at a Nazi concentration camp. Efraim Zuroff of the Simon Wiesenthal Center in Jerusalem on Sunday called the mock ad in the Eesti Ekspress weekly a “perverted attempt at humor at the expense of the Nazis’ millions of victims.”
Alla Jakobson, spokeswoman for Estonia’s Jewish community, said in newspaper Postimees that the incident shows Estonian society is experiencing “major problems with moral and ethical values.”Sulev Vedler, deputy editor of Eesti Ekspress, says the mock ad, which ran in the paper’s humor section, was poking fun at an Estonian gas company that recently used an image of Auschwitz to promote its services.
Vedler says the ad “was not targeted against Jewish people.”***

“Aushwitz Photo Removed from Dubal Gym Ad”

Taken from: http://www.jta.org/news/article/2012/01/08/3091074/aushwitz-photo-removed-from-dubai-gym-ad

January 8, 2012

A photo of a Nazi concentration camp was removed from an advertising campaign for a Dubai gym.

The photo of the railroad leading to Auschwitz-Birkenau as part of the campaign for The Circuit Factory gym in Dubai was removed last week from the gym’s Facebook page following complaints on Facebook and Twitter, according to reports.

Printed underneath the photo of the railroad was the phrase “Kiss your calories goodbye.”

Phil Parkinson, the gym’s owner, apologized for using the photo.

Abraham Foxman, the national director of the Anti-Defamation League and a Holocaust survivor, welcomed the apology, calling it “appropriate and welcome.” ”However,” he said, “we are increasingly troubled by both the ignorance and mind-set of a generation that appears to be so distant from a basic understanding of the Holocaust that it seems acceptable to use this horrific tragedy as a gimmick to bring attention to promoting losing weight. The lessons of the Holocaust are profound and timeless.”

Meanwhile, the Auschwitz-Birkenau memorial said Jan. 6 that it had a record of more than 1.4 million visitors in 2011. Most of the visitors reportedly were from Poland.

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“Dad Wears Skirt In Solidarity With His 5-Year-Old Son”

Taken from: http://www.huffingtonpost.com/2012/08/29/nils-pickert-german-dad_n_1840290.html

August 29, 2012

When it comes to supporting his son’s unconventional wardrobe, Nils Pickert talks the talk and walks the walk.

The German dad explains in Emma magazine that he wears women’s clothes (including nail polish) to help his 5-year-old son feel good about going out in dresses and skirts.

A picture of Pickert and his little boy, sporting matching red clothes — dad in a long skirt, son in a spaghetti-strap dress — has been making the Internet rounds, inspiring enough positive feedback to cancel out a thousand sideways looks and gender marketing fails.

Pickert says that in the small town where he lives, his son’s dress choices are seen as everybody’s business — and when it comes to standing up for his son, he’s determined to show, not just tell. He writes (according to Tumblr user steegeschnoeber’s translation):

Yes, I’m one of those dads, that try to raise their children equal. I’m not one of those academic daddies that ramble about gender equality during their studies and then, as soon as a child’s in the house, still relapse into those fluffy gender roles: He’s finding fulfilment in his carrier and she’s doing the rest.Thus I am, I know that by now, part of the minority that makes a fool of themselves from time to time. Out of conviction.

Pickert is not the only parent to speak up for a child whose dress preferences stand out from the norm. American mom Cheryl Kilodavis, who wrote a picture book called “My Princess Boy” about her son Dyson, went on The Today Show in January 2011 to discuss the importance of accepting children for who they are — no matter what they wear. “Sooner or later my hope is that the world will embrace the uniqueness that is really within all of us,” she told Meredith Vieira.

In Emma, Pickert says that he chose to become the “role model” he knew his son needed. Chances are his actions will set an example not just for kids, but for parents, too.

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” Nike Olympic ‘Gold Digging’ Shirt Stirs Controversy”

Taken from: http://abcnews.go.com/blogs/entertainment/2012/08/nike-causes-controversy-with-olympic-gold-digging-shirt/

August 15, 2012

Nike is in hot water over a new Olympics t-shirt they’ve released, especially since it’s only being offered for women.

The plain black shirt boldly states “Gold Digger” across the chest. The product was intended to reference aspiring to win an Olympic gold medal, but some Facebook and Twitter users would beg to differ.

“Sort of undermines the strong woman image Nike has spent $$ to market,” said one Twitter user. “Whoever thought a Nike t’shirt emblazoned with ‘GOLD DIGGING’ was a fitting tribute to female Olympians shuld be fired,” said another. Even the product description on WorldSoccerShop.com acknowledges the underlying tone behind the slogan. “We aren’t saying they’re gold diggers – we’re just saying they’re out for the gold! What’s wrong with that?”

Nike stands by the shirt. In a statement released to ABC News, the company said: “Nike has consistently supported female athletes and the position they enjoy as positive role models. The t-shirt uses a phrase in an ironic way that is relevant given it was released just as the world focused on the success of female athletes.”

But they’re not the only sports brand to stir the pot with controversial products. In June, Adidas decided to cancel their plans to release the “Shackle” shoe that critics said evoked slavery. The shoe adorned with rubber fasteners was canceled after an image posted on the Adidas Originals Facebook page ignited a firestorm of controversy. The photo of the shoes, dubbed JS Roundhouse Mids by the company, was captioned, “Tighten up your style with the JS Roundhouse Mids dropping in August. Got a sneaker game so hot you lock your kicks to your ankles?” Critics, including the Rev. Jesse Jackson, called the $350 shoe racist and intensive, saying it evokes the era of slavery.

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“Fists of Freedom: An Olympic Story Not Taught in Schools”

Taken from: http://www.good.is/post/fists-of-freedom-an-olympic-story-not-taught-in-schools/

July 23, 2012

black.power
It’s been almost 44 years since Tommie Smith and John Carlos took the medal stand following the 200-meter dash at the 1968 Olympics in Mexico City and created what must be considered the most enduring, riveting image in the history of either sports or protest. But while the image has stood the test of time, the struggle that led to that moment has been cast aside.

When mentioned at all in U.S. history textbooks, the famous photo appears with almost no context. For example, Pearson/Prentice Hall’s United States History places the photo opposite a short three-paragraph section, “Young Leaders Call for Black Power.” The photo’s caption says simply that “…U.S. athletes Tommie Smith and John Carlos raised gloved fists in protest against discrimination.”

The media—and school curricula—fail to address the context that produced Smith and Carlos’ famous gesture of resistance: It was the product of what was called “The Revolt of the Black Athlete.” Amateur black athletes formed OPHR, the Olympic Project for Human Rights, to organize a black boycott of the 1968 Olympic Games. OPHR, its lead organizer, Dr. Harry Edwards, and its primary athletic spokespeople, Smith and the 400-meter sprinter Lee Evans, were deeply influenced by the black freedom struggle. Their goal was nothing less than to expose how the United States used black athletes to project a lie about race relations both at home and internationally.

OPHR had four central demands: restore Muhammad Ali’s heavyweight boxing title, remove Avery Brundage as head of the International Olympic Committee, hire more black coaches, and disinvite South Africa and Rhodesia from the Olympics. Ali’s belt had been taken by boxing’s powers-that-be earlier in the year for his resistance to the Vietnam draft. By standing with Ali, OPHR was expressing its opposition to the war.

By calling for the hiring of more black coaches as well as the ouster of Brundage, they were dragging out of the shadows a part of Olympic history those in power wanted to bury: Brundage was an anti-Semite and a white supremacist, best remembered today for sealing the deal on Hitler’s hosting the 1936 Olympics in Berlin. By demanding the exclusion of South Africa and Rhodesia, they aimed to convey their internationalism and solidarity with the black freedom struggles against apartheid in Africa.

The wind went out of the sails of a broader boycott for many reasons, partly because the IOC re-committed to banning apartheid countries from the Games. The more pressing reason the boycott failed was that athletes who had spent their whole lives preparing for their Olympic moment simply couldn’t bring themselves to give it up. tetThere also emerged accusations of a campaign of harassment and intimidation orchestrated by people supportive of Brundage. Despite all of these pressures, a handful of Olympians was still determined to make a stand. In communities across the globe, they were hardly alone.

The lead-up to the Olympics in Mexico City was electric with struggle. Already in 1968, the world had seen the Tet Offensive in Vietnam, demonstrating that the United States was nowhere near “winning the war”; the Prague Spring, during which Czech students challenged tanks from the Stalinist Soviet Union, demonstrating that dissent was crackling on both sides of the Iron Curtain; and the April 4 assassination of Martin Luther King Jr. and the urban uprisings that followed—along with the exponential growth of the Black Panther Party in the United States—that revealed a black freedom struggle unassuaged by the civil rights reforms that had transformed the Jim Crow South. Then, on October 2, 10 days before the opening ceremonies of the 1968 Olympic Games, Mexican security forces massacred hundreds of students and workers in Mexico City’s Tlatelolco Square.

Although the harassment and intimidation of the OPHR athletes cannot be compared to this slaughter, the intention was the same—to stifle protest and make sure that the Olympics were “suitable” for visiting dignitaries, heads of state, and an international audience. It was not successful.

On the second day of the Games, Smith and Carlos took their stand. Smith set a world record, winning the 200-meter gold, and Carlos captured the bronze. Smith then took out the black gloves. The silver medalist, a runner from Australia named Peter Norman, attached an Olympic Project for Human Rights patch onto his chest to show his solidarity on the medal stand.

As the stars and stripes ran up the flagpole and the national anthem played, Smith and Carlos bowed their heads and raised their fists in what was described across the globe as a “Black Power salute,” creating a moment that would define the rest of their lives. But there was far more to their actions on the medal stand than just the gloves. The two men wore no shoes to protest black poverty, as well as beads and scarves to protest lynching.

Within hours, the IOC planted a rumor that Smith and Carlos had been stripped of their medals—although this was not in fact true—and expelled from the Olympic Village. Brundage wanted to send a message to every athlete that there would be punishment for any political demonstrations on the field of play.

But Brundage was not alone in his furious reaction. The Los Angeles Times accused Smith and Carlos of a “Nazi-like salute”. Time had a distorted version of the Olympic logo on its cover but instead of the motto “Faster, Higher, Stronger,” it blared “Angrier, Nastier, Uglier.” The Chicago Tribune called the act “an embarrassment visited upon the country,” an “act contemptuous of the United States,” and “an insult to their countrymen.” Smith and Carlos were “renegades” who would come home to be “greeted as heroes by fellow extremists,” lamented the paper. But the coup de grâce was by a young reporter for the Chicago American named Brent Musburger who called them “a pair of black-skinned storm troopers.”

But if Smith and Carlos were attacked from a multitude of directions, they also received many expressions of support, including from some unlikely sources. For example, the U.S. Olympic crew team, all white and entirely from Harvard, issued the following statement:

“We—as individuals—have been concerned about the place of the black man in American society in their struggle for equal rights. As members of the U.S. Olympic team, each of us has come to feel a moral commitment to support our black teammates in their efforts to dramatize the injustices and inequities which permeate our society.”

Smith and Carlos sacrificed privilege and glory, fame and fortune, for a larger cause—civil rights. As Carlos says, “A lot of the [black] athletes thought that winning [Olympic] medals would supersede or protect them from racism. But even if you won a medal, it ain’t going to save your momma. It ain’t going to save your sister or children. It might give you 15 minutes of fame, but what about the rest of your life?”

The story of Tommie Smith and John Carlos at the 1968 Olympics deserves more than a visual sound bite in a quickie textbook section on “Black Power.” As the Zinn Education Project points out in its “If We Knew Our History” series, this is one of many examples of the missing and distorted history in school, which turns the curriculum into a checklist of famous names and dates. When we introduce students to the story of Smith and Carlos’ defiant gesture, we can offer a rich context of activism, courage, and solidarity that breathes life into the study of history—and the long struggle for racial equality.

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“Texas A&M Students Form Human Wall To Block Westboro Baptist Church Protestors From Soldier Roy Tisdale’s Funeral”

This story definitely made our day in light of the tragic shootings in Aurora, Colorado. The students at Texas A&M prove that students can really make a difference. May they continue to be incredible upstanders.

Taken from: http://www.huffingtonpost.com/2012/07/06/texas-am-students_n_1653002.html

July 17, 2012

Hundreds of Texas A&M students gathered this week to form a human wall around the funeral service of a soldier to protect his family from Westboro Baptist Church protesters, KBTX.com reports.

texas aggies

Texas A&M alum Lt. Col. Roy Tisdale died on June 28 during a safety briefing at Fort Bragg, N.C. Tisdale was killed by another soldier who then fatally shot himself. Tisdale had served in both Iraq and Afghanistan.

In the days after the soldier’s death, word spread that Westboro Baptist Church members were planning to protest Tisdale’s funeral. Described as a “homophobic and anti-Semitic hate group” by the Anti-Defamation League, Westboro Baptist Church regularly stages protests around the country. According to KBTX.com, the group, which is based in Kansas, frequently targets military funerals because of “a belief that God punishes soldiers because of America’s tolerance of gays.”

When Ryan Slezia, a former Texas A&M student, heard of the group’s plans, he hatched a plot to foil their efforts. ”In response to their signs of hate, we will wear maroon. In response to their mob anger, we will form a line, arm in arm. This is a silent vigil. A manifestation of our solidarity,” he wrote on Facebook, inviting others to join him in a peaceful protest.

On Thursday, as Tisdale’s funeral was held at the Central Baptist Church in College Station, Tex., hundreds of students and alumni responded to Slezia’s invation, linking arms to create a human barricade surrounding the church’s entrance.

Most wore maroon — A&M’s school color. One participant tweeted that over 650 people showed up, creating a formidable “maroon wall.” “We are standing here quietly. We are here for the family,” Lilly McAlister, a Texas A&M student, told KBTX.com. ”We are positioned with our backs to them. Everyone has been told there’s no chanting, no singing, there’s no yelling anything back.”

The hundreds gathered were prepared for a potentially aggressive confrontation, but the protestors from Westboro Baptist Church never showed up.

One participant tweeted:

Erica Peaslee@erica_peaslee

#MaroonWall at Central Baptist. No sign of Westboro …. hope they aren’t too intimidated. pic.twitter.com/LCDrTrH1

Tisdale’s body was peacefully laid to rest after the funeral at the Aggie Field of Honor — a cemetery for Texas A&M students and staff.

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21 Pictures that will restore your faith in humanity

There’s a reason this article has gone viral; check it out :) 

http://www.buzzfeed.com/expresident/pictures-that-will-restore-your-faith-in-humanity

Preview:

1. This picture of Chicago Christians who showed up at a gay pride parade to apologize for homophobia in the Church.

This picture of Chicago Christians who showed up at a gay pride parade to apologize for homophobia in the Church.

4. This sign at an awesome bookshop.

This sign at an awesome bookshop.

6. The moment in which this Ohio athlete stopped to help an injured competitor across the finish line during a track meet.

The moment in which this Ohio athlete stopped to help an injured competitor across the finish line during a track meet.

17-year-old Meghan Vogel was in last place in the 3,200-meter run when she caught up to competitor Arden McMath, whose body was giving out. Instead of running past her to avoid the last-place finish, Vogel put McMath’s arm around her shoulders, carried her 30 meters, and then pushed her over the finish line before crossing it.

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